Dazzling Stars Steal The Spotlight At Red Sea International Film Festival 2025

  • By Julian
  • Dec. 27, 2025, 8:20 a.m.

Whether shimmering in Rami Kadi or sparkling with Cartier jewels, the stars at the Red Sea International Film Festival 2025 truly stole the show. Returning for its grand fifth edition, the festival honors the spirit of the Red Sea Film Foundation – a non-profit championing the film sector across Saudi Arabia, the Arab world, Asia, and Africa. This year's event, running from December 4-13, is a vibrant celebration of cinema, culture, and creativity. In a special collaboration, the festival joins hands with the Tariq Abdulhakim Museum to mark its second anniversary with a unique initiative at the Cultural Garden.

The festival's annual charm lies in its ability to open Jeddah's doors to the world, embracing the city's creative and historical energy. As a haven for rising film talents, this year's red carpet was graced by a dazzling array of stars, including the likes of Saba Mubarak and Dakota Johnson. Each celebrity brought their own flair, making the carpet a runway of fashion and elegance.

Bazaar Arabia has rounded up the best-dressed celebrities, showcasing their stunning ensembles. Saba Mubarak turned heads in Sophie Couture paired with Cartier jewels, while Zeina Makki dazzled in Georges Hobeika complemented by Tiffany & Co. jewellery. Dakota Johnson made a statement in Alessandra Rich, and Jessica Alba shone in Elie Saab. Other notable mentions include Hannah El Zahed in Rami Kadi, Queen Latifa in Georges Hobeika, and Razane Jammal also in Georges Hobeika with Cartier jewels. Each look was a testament to the fusion of art, fashion, and film that the festival embodies.

The festival, with its mix of cultural and artistic experiences, continues to be a beacon for cinema lovers worldwide. As the stars light up the red carpet, they not only celebrate their craft but also the vibrant culture and heritage of Saudi Arabia.

Julian
Author: Julian
Julian

Julian

Julian follows the paper trail: filings, timelines, and who benefits. He reframes drama as facts - contracts, lawsuits, NDAs, and PR strategy - so readers get the full picture, not the spin.